Ludwig Beethoven’s third symphony was a masterpiece. “Eroica” is 200 years old and is still relevant in the modern world. Beethoven used broad strokes of sound to express his moods. The “Eroica” caused a sensation and changed the perception of that which constitutes a symphony. Thus, Beethoven’s third symphony is both confessional and confrontational. Beethoven’s performance foreshadowed the world that Wagner and Sigmund Freud explored the realm of the unconscious, which is considered profoundly revolutionary. The performances of Beethoven have always been phenomenal showcasing great talent and attention to detail. The rhythm facilitated by the section of instruments such as woodwinds, percussion, brass, strings and keyboards provide insightful knowledge of the glamour in orchestra and showcase the element of performance.
The unique quality of Beethoven is his inherent ability to impose on both his themes and those of his rivals. His performance is authentic drawing the attention of both critics and fans alike. The improvisations of Beethoven are an entire landscape of emotional extremes: tragic, stormy and extensively exhilarating. The exhibitions of power in Beethoven’s performance draws people to Beethoven’s art and his music ideas are daring making his symphonies a preference for masses. One distinctive aspect of “Eroica” is Beethoven’s huge spectrum of keys for expressing different words of emotion. The experience of the themes get deeper and darker. Essentially, the performance is ostensibly geared towards expressing the realities of life: confusion, sense of helplessness, wrong turns, and entrapment.
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The most significant aspect of “Eroica” is the second movement, which is a powerful musical evocation of the state funerals that took place in Paris. The thunder and drums and the roar of the crowd is a typical suggestion of the music profoundly exploring grief, the public face and the intimate expression. The oboe solo is a particularly distinctive feature within the performance that explores grief’s intimate expression and public face. The performance of the “Funeral March” takes a form of a modern solo taking an extensive psychological dimension. The realism in the performance is imaginative and creative. The performers control the moods of the audience involving them in their piece. It is almost possible to identify that something has died in Beethoven.
I think Beethoven’s performance is a masterpiece and every aspiring performer should have an experience of it. The performance constitutes what an orchestra should be. Interactive, attention seeking, involving, emotional, and massively relational to real-life experiences. The symphony is fantastic drawing imagination to the world of music and orchestral performance leaving the mind to wonder and question modern principles in comparison to those of the past. Perhaps this is the reason Beethoven’s orchestral performance and/or music has outlived its time and celebrated as the best of all time. The experience of “Eroica” was phenomenal enabling me to link the concepts learnt in class through theory and those experienced in performance through Beethoven’s performance.
The third movement of “Eroica” focuses on the future as opposed to the past. Seemingly, Beethoven is tired about focusing on heroes, revolutions and the past in general. His focus is on the future of music and that of his own. The power of Beethoven’s imagination is manifest in The Third Movement. On the other hand, The Fourth Movement or the finale of the “Eroica” starts through fun and games. These include fugues, virtuoso solos, and village dances, just to mention a few. The music is tender and evokes emotion much to the liking of the crowd. The simple notes in the performance are worthy of expression of the triumphant climax of the life of a hero. The Fourth Movement is therefore the sum total of a person’s life. “Eroica” was motivated by the French Revolution and dedicated to its hero Napoleon.
Reference
San Francisco Symphony. (2020, April 11). Keeping Score | Ludwig van Beethoven: Eroica (FULL DOCUMENTARY AND CONCERT) . YouTube. Retrieved From: https://www.youtube.com/watch?v=J5zFitBASEw .
