Milton Babbitt’s Philomel , which was commissioned by the Ford Foundation, combines a live performance along with a prerecorded tape and synthesized music. The soprano soloist in the live performance is heard with a prerecorded tape on the background. The tape incorporates multiple aspects, including an altered recording of her voice, a distorted echo, along with an electronic sound. The composition is split into three sections, which incorporates Philomel screams in recall of pain, the quest for answers, and finally, the strophic lament that is sung in the third section. The conceptualization and purpose of the Milton Babbitt’s music are discussed in the subsequent sections.
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