Audience – At its core, audience refers to who the music was targeted. Needless to say, various pieces are written for different audiences. Court orchestras in the 18 th Century had a mix audience of noble people and city people. New Orchestras in the Romanticism era got the attention of middle-class audience, whose enthusiasm for the music sustained piano songs. During that era, pleasing and appealing to a wide audience became a great deal to composers. For instance, Beethoven Piano Sonata Op. 13, i, to the contemporary audience was prestigious and remained challenging and inscrutable even in the in the 19 th Century. The piece maintains a homophonic texture throughout giving the audience a safe and warm feeling.
Writing on Music- Each piece of music has its own philosophical background as to how it was written. In Germany, for instance, the period between late 18 th Century and mid-19 th Century was accompanied by great musical changes. Mainly they were characterized by repertoires, initially formed in choral music. The oratorios began with Haydn and Handel, symphonies with Beethoven like in his Sonata and Mozart. Another prolific writer is Schubert. In Die Nacht, for instance, the piece reveals that the composition was not merely on an emotional expression but a complex conceptual kind of thinking. Schubert takes up music with major philosophical interests of the early romanticism. Notably, writing on music increased. Schuman, for instance, sourced his music from a lot of writing.
Delegate your assignment to our experts and they will do the rest.
Connections between world events and Musical Developments- World events had a remarkable series of changes in musical life and diversification of styles. A key world event, the Industrial Revolution, saw the springing up of musical pieces. Ludwig van Beethoven, for instance, had his music inspired by the French Revolution. During this era, music was mainly composed and written for marches, symphonies, and large choral works either for government festivals or to celebrate events as the Revolution.
Philosophical ideas and Musical Movements- Music has been and still is a topic of philosophical debate since the ancient Greeks. Looking at the 18 th and 19 th Centuries, music was an important part of various cultures. Philosophers have left behind a wide array of styles, books, and even practicalities about music majority of which are part of our modern culture. Plato, for instance, established the concept of how music affects its listeners. Music represents the way emotions are expressed. The Robert Schubert, Carnaval, excerpts, are an example of how listeners would feel the particular motion. Instrumental composers, often would try to communicate how one emotion in each movement encompasses multiple emotions. The philosophical ideas of various pieces reveal the ontological nature, experience, value, and other considerations.
Connections between composers- In music, most of the masterpieces of an era are inescapable for another. Often, composers treated chamber music just as they did with symphonies, particularly in genres that were linked to Mozart, Haydn, and Beethoven. The string quartet, violin sonata, and piano trio, are some of the classical genres that required connections with the past. As such, composers had to match the individuality, personality, and style of their predecessors. Composers of music achieved a repertoire of classical masterpieces by introducing minor concepts into genres hallowed by tradition. For most works, the relationship to past composers’ style is critical to their aspect of meaning. Mostly because, the connections make the music interesting, distinct, and worth hearing.
Technological Developments- The musical developments over the years have partly been attributed to technological innovations and developments. The 19 th Century was characterized by integration of orchestra into the public life concerts. In addition, there was orchestras in opera houses and dance halls led by famous artists of the time, the likes of Joseph Lanner. Technological developments also saw new and redesigned instruments such as clarinet, English horn, and bass clarinet which were used alongside the orchestra. Valves were also added to horns and trumpets to allow players achieve all chromatic notes. Notably, most of the masterpieces from various composers had a mix of instruments. Beethoven, for instance, used the piano trios, and string techniques. By the time of the industrial revolution music became revolutionized by technologies such as radio, broadcasting, and recorders. Technological developments are a theme evident across various ages, events, and eras in the music industry.
