Rococo:
A. Commonly referred to as the Late Baroque, Rococo is a cheerful and elaborate decorative style of the 18 th century in Europe, which featured the baroque movement (Lumen, 2018). As such, pink color was commonly used. The style illustrates extreme principles of illusion and theatricality. This effect was made successful through the introduction of dense movement, application of fluid curves, as well as white and pastel colors. The style, in addition, dominated the architectural space through introduction of curve lines. Playful and witty themes dominate this style as artists made utilized more florid and graceful approaches.
B.
i. Artist’s Name: Francois Boucher
ii. Title of Art Work: The music lesson
iii. Date of Art Work: 1749
iv. Material(s)/Medium(s): Oil on canvas
C. This painting exhibits the carefree attitude of the painter, to modify the setting as a make believe, commonly related with the Rococo style. There is also the illustration of the luxurious costumes to heighten the romantic emotions. The serene natural setting of the painting contrasts well with the pink colors of the feminine dressing. The background produces form effect whereas the general soothing effect is generated by color.
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2. Italian Renaissance painting:
A. This style emerged around 14 th and 17 th centuries and is marked largely by the renewed cultural interest in the classical archeological find. The sought exhibits personal experiences, beauty, and natural world. Artists in addition showcased their physical connection between figures, humans, objects in their surrounding, and animals. Using their creativity, there was much expression of beauty, serenity, and synchronization through artworks. Besides this, the pioneers in this style inspired modern artists through their introduction of religious images including the subjects related to Madonna.
B.
i. Artist’s Name: Luca Signorelli
ii. Title of Art Work: The communion of the Apostles
iii. Date of Art Work: 1512
iv. Materials/Medium(s): Panel, 232 x 220 cm
C. The work, The communion of the Apostles , is a straining escape from the tragic style of Oriento as it tries to imitate the sweet tones of airy architecture of the 16 th century. As it contrasts with the original creation of the last supper, this creation seeks to connect the relationship of each of the disciples with Jesus on the last. This is depicted by the posture each of the disciple is painted. For instance, Judas Iscariot is depicted looking away as he tries to hide the coins. Christ as the center of the painting is surrounded by brightly dressed disciples in a pyramid composition, thereby showcasing the creativity of the painter.
3. Flemish Painting (Northern Renaissance):
A. An introduction of the classical Greek and Roman art forms integrated with human belief. The mastery illustrated painting techniques such as linear perspective foreshortened and naturalistic realism. The major features of the art included grandeur, drama, vitality, movement, emotional enthusiasm, and sumptuous affluence. The style revolved around religious, politics, climate, and artistic traditions. Even though there were social similarities, the north region failed to enjoy comparable artistic revolution.
B. Provide the following information for the work of art you have selected to demonstrate Flemish painting (Northern Renaissance) :
i. Artist’s Name: Lavinia Fontana
ii. Title of Art Work: Christ with the symbols of the passion
iii. Date of Art Work: 1576
iv. Material(s)/Medium(s): oil on canvas
C. it is interesting that the artist brings the entire religious action into the iconography to heighten the emotional enthusiasm of the painting. Religious similarities in the painting are closely connected with other previous paintings. For this reason, the art is commonly associated with medieval traditions with real world incorporated in its sacred themes.
4. Mannerism:
A. Mainly associated with architecture and sculpture, created during the Renaissance art. The style features visual trickery and surprising effects, with complicated decorations on elongate figures, which often have exaggerated poses (VAM, 2018). For instance, the necks and limbs of the human figures are often stretched. The move is often to increase the emotions in the creations. Tension is also enhanced through the distorted perceptions and theatrical foreshadowing. Artists made use of rich and elaborate decorations in flat and three dimensional surfaces.
B.
i. Artist’s Name: Baglione Giovanni
ii. Title of Art Work: Sacred and Profane Love
iii. Date of Art Work: 1602
iv. Material(s)/Medium(s): Oil on Canvas
C. The artist brings to limelight his perception of love through this artwork, bringing a new point of view on the artwork. There is unity of the figures on the dark background, against the stand out objects on direct spotlight. To create a great contrast, the painter introduces direct light. In addition, Giovanni borrows most of the inspirations of the mannerism style from the natural world even though the materials are rather novel and outlandish.
5. Baroque:
A. Baroque is an extravagant and highly ornate style, which flourished in around the 18 th century in Europe. The style made use of Renaissance before it evolved to Rococo. Qualities associated mostly with the style are splendor, comedy, movement, emotional exuberance, and blur differentiations in artworks. In its introduction, appreciation of severe, academic style was predominant on religious creations. As such religious themes in the style communicate identity and emotional involvement. The creations, mostly made in the church assumed large central space to illustrate the unity between the earth and the heavens. Quadratura was another common feature as paintings on the ceiling had stucco frames. The paintings were mostly featured under the dome and around the altar.
B.
i. Artist’s Name: Gerrit Dou (Dutch, 1613-1675)
ii. Title of Art Work: Astronomer by Candlelight
iii. Date of Art Work: Late 1650s
iv. Material(s)/Medium(s): Oil on panel
C. In this painting, the astronomer works late as he goes through the astronomical treatise. The creation depicts Baroque period through its strong contrasts between the dark show and light. There are small details on the included in the painting such as the texture of the flask and the cloak of the scientist. This contributes to the pleasurable observation of the astronomers in their private rooms.
References
Lumen. (2018). Rococo . Retrieved from https://courses.lumenlearning.com/boundless-arthistory/chapter/rococo/
VAM. (2018). Style Guide: Mannerism. Retrieved from http://www.vam.ac.uk/content/articles/s/style-guide-mannerism/
