Rossini’s Scene Structure is advantageous in different ways. The structure creates a musico-dramatic connection. In the opera Una Voce Poco fa, the performers can dramatize some moves as she sings, for instance, where she sleeps on the chair, waking up, taking up the pillow, holds it close and then throws it away. It can describe the emotions of the performer. The structure allows individual movements, for instance, a person telling their story without interaction. A woman is telling her story at the comfort of her home in Una Voce Poco fa without interaction though the house has other people such as the husband and helpers. A melodic structure is achieved, seen with the musical notes of the opera. The high and low notes flowing rhythmically make the opera musical and enjoyable to listen. Rossini’s Scene Structure promotes arias, which is a self-contained piece of music for a single voice that is not accompanied by orchestral or instruments. The opera in Una Voce Poco fa is performed by a single woman, and there are no instruments used. The sentimental drama is advantageous in understanding the opera. The performing woman can express her feeling through facial expressions and use of the surrounding stage, such as how she uses the chair, sleeping comfortably.
However, the structure also has some disadvantages. The structure hinders the creativity of performance and composition. In Una Voce Poco fa opera, the voice is made up of low and high notes making the composition monotonous. There is no instrumentation or physical performance, such as accompanying dancers, elements that may make the piece interesting. Rigidity on composition and how the musical notes can be seen on the opera, with all notes almost similar. It hindered composers from expanding their melodies and rhythms of their compositions.
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