Setting Literary Response
In literature, various stylistic devices are used for different reasons. Among the tools used include setting. Setting in literature is the time and place in which a story is done ( Mayfield 2010). Additionally, this definition can also include social classes, historical climate times as well as other details about the environment. Typically, settings can be fictional or real or maybe a mixture of both. Different locations are usually specific, and further may be used to describe events. The majority of literary works include a variety of settings. In various literary works, the setting is an instrumental element of imagination alongside the plot, character, style, and literature themes ( Mayfield 2010). Setting in literature creates the backdrop to literature and assists in setting the mood.Interpreting the stylistic device of setting in literature requires the reader to be keen. To be able to interpret the setting of any literary work, the reader may want to get into finer details and dig deeper than they would understand the setting. To interpret the setting, some questions can be asked to paint a picture or offer a guideline towards the interpretation. Some of the questions that can help in the understanding of the setting might include the following: what does the setting reveal about the characters, the feelings of the characters in the setting, whether the setting can create a hitch for the characters, and so on ( Mayfield 2010). In literature, the setting is critical as it reveals the setting; for instance, the setting might create obstacles for characters hence creating a dispute.
In the story, This Is What It Means to Say Phoenix , Arizona, and the setting can be derived according to the criterion mentioned earlier. The setting of the story is in Phoenix, Arizona, where the father to victor dies. The son is required to go and collect the ashes of the remains of his father and other personal belongings ( Alexie et al., 2017). The journey to Arizona is not comfortable for Victor, but the narrator offers to accompany him and fund the trip. In this story, each setting introduces the plot and contributes to demonstrating themes of respect, friendship, and conservation of values.
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Reservation is the first setting of this story, which occurs near Spokane in the eastern part of Washington, where Victor lives. As demonstrated in the story, the place's setting paints a picture of a poor area, and nobody seems to have money apart from the people who trade in the sale of fireworks and cigarettes ( Alexie et al., 2017). Victor approaches the Tribal Council for financial assistance, and the members could only offer him $100 an amount that is far less than what Victor required ( Alexie et al., 2017).
Another setting in the story is modern-day. In the flow of events in the story, it appears that the setting was contemporaneous to the period in which it was written, the early 1990s ( Alexie et al., 2017). According to the story's themes, it is conversant with the relationship between Native American history and the modern-day Native American social and economic diversities. Specifically, the story uses oblique references to the days of horrifying genocide and oppression that the Native Americans were subjected to in the government of the then government of the United States of America ( Alexie et al., 2017). For this reason, the Native American societies were facing continuous hardships and abject poverty in the modern-day.
Overall, the story has portrayed an appropriate application of setting as a literary device that the write incorporated well to show the time and place where the story was done. The story has been able to offer the setting of reservation as the place where the story was done and the period when it was done.
References
Alexie, S., Bass, R., Rita, A., & László, S. L. (2017). Ha azt mondjuk: Phoenix, Arizona = This is what it means to say Phoenix, Arizona .
Hones, S. (2010). Literary geography and the short story: setting and narrative style. Cultural geographies , 17 (4), 473-485.
Mayfield, T. D. (2010). Literary structure and setting in Ezekiel (Vol. 43). Mohr Siebeck.
