a. Berthe Morisot was an impressionist artist who painted women exclusively. In loose and rapid brush strokes, she portrayed women at all stages of life that included childhood, adolescence, pregnancy and motherhood. For instance, her famous work “The Cradle” which depicts Edma gazing down at her daughter, who is asleep in a cradle behind a veil, the piece of art showed the expression of a mother’s love towards her baby and fatigue at the same. It is an example of how most of her painting depicted women and their significant roles in the society.
b . Due to his flat painting skills that offered him a platform to set a different kind of standard of the post- impressionism art, Eduardo Monet was considered as the father of modern art. He was considered a controversial artist due to his way of portraying the real Parisian lifestyle in his painting as well as refusing to follow the classical technique of art. In addition, his work was revolutionary because of the representation on impressionism in their painting, concentrating purely on the essence of colors and shapes than focusing on realism.
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c . Impressionists artists changed the accepted concepts on color and light as well as demonstrating how there were several ways of seeing the world as opposed to how it was being presented in landscapes, portraits and still lifes. They engaging public viewing by observing the shifting effects of motion, light, color and time passing and then later capturing the results with canvas and paint (Sayre, 2016). Impressionist painting had unique characteristics such distinctive brush strokes, vivid colors, ordinary subject matter, and an emphasis on accurate depiction of light. Such pieces of work include, Pierre –Auguste’s “ L uncheon of The Boating Party,” Gustave Caillebotte’s “Paris Street; Rainy Day and Claude Monet’s “Impression , Sunrise .”
d . In his paintings, Paul Cezanne emphasized each individual object rather the scene as a whole, culminating conspicuous, off kilter compositions (Sayre, 2016). Cézanne preferred painting in a studio to working in the open air like the impressionists . He favored organized, orderly compositions rejecting other artist’s seemingly spontaneous brushwork. In addition, he lacked interest in capturing fleeting impressions of his subjects which was a fundamental feature of Impressionism and instead focused on symbolism and substance over style.
Reference
Sayre, H. M. (2016). A World of Art . Pearson.
