There are many comparisons and variances in the structure and rhythms of the two beautiful pieces: Think of Mefrom phantom of the Opera and Schubert’s The Lord is my Shepherd . First of all, a similarity of these two pieces is that they both have a homophonic texture. This implies that two parts, in this case voice and accompaniment move together in harmony. In contrast nonetheless, the composition of these pieces is somewhat dissimilar. For instance, Think of Me assumes the ternary form (ABA pattern) that has particular parts that repeats like a chorus, whereas the Lord is my Shepherd has not clear form. Instead the composer has split the score into parts, analogous to the verse of the original biblical script. At time the lyrics are repeated within that piece to add stress and intensity. Another variance between these two delightful pieces is the timing. Different from the Lord is my Shepherd , Think of Me has timing shifts all over the piece. Starting in 4/4 timing, the piece then moves to 12/8 timing for a couple of bars before returning to 4/4 timings. This accompaniments interest and permits for a portion of the beat to increase the intensity and escalation of the piece. Equally however, both pieces utilize key variations that offer tension, intensity and a shift in tenor. Both of these pieces make use of key deviations chiefly to escalate the piece to a highpoint. Nonetheless in contrast, Think of Me fails to return back to the initial key, while after the climax in The Lord is my Shepherd , the piece changes back to the initial key of A flat major. In general, the similarities and differences between these two pieces assist define them as delightful vocal score and makes them exceptional.
Likewise, the melodies of these two pieces might as well be compared and contrasted. First and foremost, there is a fundamental similarity in the application of key intonations. Both vocal scores and modulate to varied keys all over the pieces to increase the tension and add intensity. Yet this is achieved in different means but still by a key inflection. For instance, Think of Me starts in D major and then modifies up a semi-tone to E flat major. Whereas it shifts to a further major key, the tension is increased since the key is augmented. In The Lord is my Shepherd that starts in A flat major, it adjusts at 31 E minor that is a discrete key. This as well introduces a parallel amount of intensity and strain by adjusting to a minor key. Even if the key is an unconnected, it introduces a gloomy, murky tone that supplements the lyrics, which touch on dim, wicked, and obscurities. Nonetheless, distinct from Think of Me that remains in E flat major the remainder of the piece, The Lord is my Shepherd then adjusts by other keys comprising B flat major prior to moving to the initial key of A flat major. This is as a result of the tension and intensity of the piece is let out. Another alteration between these pieces is the accompaniment. This is so that the soloists are capable to listen to the tune and remain in melody. On the other hand, The Lord is my Shepherd lacks melody line incorporated in the accompaniment. Instead, the four-portion harmony developed by the singers creates the relative chords, which are played in the accompaniment in the manner of split chords. This is evident in bar 6. However, the influence of the creation of chords by the four-portion harmony adds purity to the piece.
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There are as well important comparisons and variances in the synchronization between The Lord is my Shepherd and Think of Me . First, a contrast between the two vocal pieces is the utilization of aspects such as pedal notes and cadenzas. In Think of Me , pedal notes are utilized many times and are evident from bar 1. Although in The Lord is my Shepherd pedal notes are not made use of whatsoever with the exception of one case at bar 44. This is a result of the accompaniment is very detailed across whereas the four-portion choral section is not as busy as is a better contrast between them. Nonetheless, the pedal note that is on the tonic and utilized here is to assist develop a gentle and refined cadence back to the initial key of A flat major. Different from The Lord is my Shepherd , a composer makes use of a cadenza towards the culmination of Think of Me , which implies to play or sing at an extraordinary rate of strain. This operatic single, without any accessory is a delightful ending to the piece because it is not heard frequently as a result of its tension.
Ultimately, it is obvious that there are both parallels and variances in the subtleties and rhythm of these two vocal scores. For instance, The Lord is my Shepherd , active patterns as well command the phraseology. In the middle of every phrase there is an increase then a decrease to stress the significance of one or two important words. A difference to Think of Me , which makes use of ties to suggest phrasing, is showing that the piece is to be played gently. Tie is well utilized in The Lord is my Shepherd to indicate phrasing for the supplement.
In closing, it is manifest that there are many similarities and differences between the two dazzling pieces The Lord is my shepherd and Think of Me from the Phantom of the Opera . Nonetheless, it is by the creative use of the aspects of music that makes these vocal scores both dazzling and exclusive.
References
Allsop, C., (2010, 14 Nov). Schubert-The Lord is my Shepherd [Video File]. Retrieved from https://www.youtube.com/watch?v=zbJORy2gdoA
Feathers1428., (2013, 8 Jan.). Think of Me from the Phantom of the Opera [Video File] retrieved from https://www.youtube.com/watch?v=kM0a9REvLdI
